Charlie Parker - Charlie Parker with strings (1996) 320 kbps

Charlie Parker - Charlie Parker with strings (1996) 320 kbps

  • Genre: Jazz
  • Formats: MP3 FLAC WMA HD APE
  • Album Size: 1325 mb.
  • Archive: ZIP RAR
Artist: Charlie Parker
Title: Charlie Parker with strings
Year Of Release: 1996
Label: Giants Of Jazz [CD 53263]
Genre: Jazz, Bop
Quality: MP3/320 kbps
Total Time: 72:18
Total Size: 171 MB(+3%)

01 - Just friends
02 - Everything happens to me
03 - April in Paris
04 - Summertime
05 - I didn't know what time it was
06 - If I should loose you
07 - Dancing in the dark
08 - I came along
09 - Laura
10 - East of the sun (West of the moon)
11 - They can't take that away from me
12 - Easy to love
13 - I'm in the mood for love
14 - I'll remember april
15 - What's this thing called love
16 - April in Paris
17 - Repitition
18 - Easy to love (Carnegie hall
19 - Rocker
20 - Temptation (Freed - Brown)
21 - Lover
22 - Autoumn in New York
23 - Stella by starlight
Charles "Charlie" Parker, Jr. (August 29, 1920 – March 12, 1955), also known as "Yardbird" and "Bird", was an American jazz saxophonist and composer. Parker acquired the nickname "Yardbird" early in his career and the shortened form, "Bird", which continued to be used for the rest of his life, inspired the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise." Parker was a highly influential jazz soloist and a leading figure in the development of bebop, a form of jazz characterized by fast tempos, virtuosic technique, and improvisation. Parker introduced revolutionary harmonic ideas, including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Many Parker recordings demonstrate virtuosic technique and complex melodic lines, sometimes combining jazz with other musical genres, including blues, Latin, and classical. Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual, rather than an entertainer.
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