Academia Montis Regalis, Alessandro de Marchi - Handel, Caldara - Carmelite Vespers 1709 (2012) Lossless
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Academia Montis Regalis, Alessandro de Marchi - Handel, Caldara - Carmelite Vespers 1709 (2012) Lossless

Artist: Academia Montis Regalis, Alessandro de Marchi
Title: Handel, Caldara - Carmelite Vespers
Year Of Release: 2012
Label: Deutsche Harmonia Mundi
Genre: Classical
Quality: FLAC (image+.cue,log,scans)
Total Time: 01:37:52
Total Size: 529 Mb
WebSite:

Tracklist:
CD 1:
01. Deus, in adiutorium meum intende (00:46)
02. Haec est regina virginum (04:00)
03. Virgo Dei genitrix (01:18)
04. Laetatus sum in his (04:43)
05. Jerusalem quae aedificatur (05:33)
06. Illuc enim ascenderunt (04:21)
07. Rogate quae ad pacem (03:20)
08. Propter fratres meos (02:44)
09. Sicut erat in principio (03:06)
10. Saeviat tellus inter rigores (05:53)
11. Recitativo: Carmelitarum ut confirmat ordinem (00:54)
12. O nox dulcis (06:37)
13. Stellae fidei (03:17)
14. Recitativo: Sub tantae virginis tutela (00:26)
15. Alleluia (02:00)
CD 2:
01. Te decus virgineum (03:08)
02. Dixit Dominus (05:22)
03. Virgam virtutis tuae emittet (03:12)
04. Tecum principium in die virtutis (02:38)
05. Juravit Dominus (02:33)
06. Secundum ordinem Melchisedech (01:43)
07. Dominus a dextris tuis (06:41)
08. De torrente in via bibet (04:14)
09. Gloria Patri, et Filio (06:54)
10. Salve, Regina (02:58)
11. Ad te clamamus (03:22)
12. Eia ergo, advocata nostra (03:23)
13. O clemens, o pia (01:45)
14. Ora pro nobis (00:28)
15. Protege, Domine (00:33)
Performers:
Roberta Invernizzi, soprano
Robin Johannsen, soprano
Martin Oro, countertenor
Markus Brutscher, tenor
Antonio Abete, bass
Academia Montis Regalis
Alessandro de Marchi
This is one of those recordings that presents a composition that never actually existed: Handel and Antonio Caldara, who succeeded Handel as musical director for the Ruspoli family, both (probably) composed music for the Carmelite order and for its Church of Santa Maria di Montesano in Rome. A large festival service at this church would have involved the assembly of music by various composers, and it's plausible that the pieces by Handel and Caldara here might have been put together even if there's no evidence that that actually happened. Handel's interactions with the Ruspolis have been a subject of musicological research, and the album succeeds as a sort of state-of-the-art Handel issues release even if the booklet is needlessly confusing (it's not clear why the Salve Regina, HWV 241, is listed as a joint work; nothing suggests that it is anything other than Handel's alone). Further, there's some blistering singing from soprano Roberta Invernizzi and countertenor Martin Oro (the other singers are not quite in the same league), and the program tunes the ear to the distinctively ornate style of the young Handel; Caldara's pieces are a good deal soberer and simpler. Recommended for those with a strong interest in the High Baroque.
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