Sandrine Piau Freiburger Barockorchester - Mozart: Opera Arias (2002)
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Sandrine Piau Freiburger Barockorchester - Mozart: Opera Arias (2002)

Artist: Sandrine Piau & Freiburger Barockorchester
Title: Mozart: Opera Arias
Year Of Release: 2002
Label: Naive / Astree
Genre: Classical
Quality: APE (image + .cue, log)
Total Time: 64:12 min
Total Size: 271 MB
WebSite:

Tracklist:

01. Lucio Silla, opera, K. 135: In un istante oh come
02. Lucio Silla, opera, K. 135: Parto, m'affreto
03. Die Zauberflote (The Magic Flute), opera, K. 620: Ach, ich fuhl's
04. Il re pastore, opera, K. 208: Barbaro! oh Dio! mi vedi
05. Mitridate, re di Ponto, opera, K. 87 (K. 74a): Grazie ai numi parti
06. Mitridate, re di Ponto, opera, K. 87 (K. 74a): Nel grave tormento
07. Die Entfuhrung aus dem Serail, opera, K. 384: Welcher Wechsel
08. Die Entfuhrung aus dem Serail, opera, K. 384: Traurigkeit ward mir zum Lose
09. Lucio Silla, opera, K. 135: Vanne, t'affretta
10. Lucio Silla, opera, K. 135: Ah se il crudel periglio
11. La Clemenza di Tito, opera, K. 621: S'altro che lagrime
12. Mitridate, re di Ponto, opera, K. 87 (K. 74a): Al destin che la minaccia
13. Die Entfuhrung aus dem Serail, opera, K. 384: Ach, ich liebte, war so glucklich
14. Zaide, opera, K. 344 (K. 336b): Ruhe sanft, mein holdes leben

French soprano Sandrine Piau's voice is small, beautiful, light, and perfectly focused, and it's absolutely even from top (often, repeated high Ds) to bottom. She focuses thoroughly on the text and exclaims important, dramatic phrases with a natural emphasis that helps her avoid the sameness that high coloraturas can be so guilty of, especially on disc. Her breath control is stupendous (in Giunia's "Ah se il crudel periglio" from Lucio Silla, she launches one wildly embellished half-minute run after another effortlessly), the tone absolutely centered. Aside from the embroidered pieces here from Silla and Mitridate, we get a taste of Pamina, and while a fuller voice is (almost) needed for "Ach, ich fuhls," the manner in which Piau handles dynamics offers us enough. The same can be said for Konstanze's "Ach ich liebte" and "Traurigkeit," the latter sung as movingly as we're probably ever going to hear it. This is great singing. -- Robert Levine






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