Vladimir Horowitz - Horowitz Plays Scriabin (2015)
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Vladimir Horowitz - Horowitz Plays Scriabin (2015)

Artist: Vladimir Horowitz
Title: Horowitz Plays Scriabin
Year Of Release: 2015
Label: Sony Classical
Genre: Classical
Quality: 320 kbps | FLAC
Total Time: 02:27:28
Total Size: 484 mb | 649 mb
WebSite:

Tracklist:
CD1:
01. Piano Sonata No. 3 in F-Sharp Minor, Op. 23 - I. Drammatico
02. Piano Sonata No. 3 in F-Sharp Minor, Op. 23 - II. Allegretto
03. Piano Sonata No. 3 in F-Sharp Minor, Op. 23 - III. Andante
04. Piano Sonata No. 3 in F-Sharp Minor, Op. 23 - IV. Presto con fuoco - Meno mosso
05. Prelude in C Major, Op. 11, No. 1 - Vivace
06. Prelude in C-Sharp Minor, Op. 11, No. 10 - Andante
07. Prelude in E Major, Op. 11, No. 9 - Andantino
08. Prelude in G Major, Op. 11, No. 3 - Vivo
09. Prelude in B-Flat Minor, Op. 11, No. 16 - Misterioso
10. Prelude in G-Flat Major, Op. 11, No. 13 - Lento
11. Prelude in E-Flat Minor, Op. 11, No. 14 - Presto
12. Prelude in F-Sharp Minor, Op. 15, No. 2 - Vivo
13. Prelude in B Major, Op. 16, No. 1 - Andante
14. Prelude in B Minor, Op. 13, No. 6 - Presto
15. Prelude in E-Flat Minor, Op. 16, No. 4 - Lento
16. Prelude in G Minor, Op. 27, No. 1 - Patetico
17. Prelude in A Minor, Op. 51, No. 2 - Lugubre
18. Prelude in D-Flat Major, Op. 48, No. 3 - Capricciosamente affannato
19. Prelude, Op. 67, No. 1 - Andante
20. Prelude, Op. 59, No. 2 - Sauvage, belliqueux
21. Prelude in D Major, Op. 11, No. 5 - Andante cantabile
22. Prelude in G-Sharp Minor, Op. 22, No. 1 - Andante
23. Etude in C-Sharp Minor, Op. 2, No. 1 - Andante
CD2:
01. Poeme in F-Sharp Major, Op. 32, No. 1 - Andante cantabile
02. Etude in C-Sharp Minor, Op. 2, No. 1 - Andante
03. Etude in D-Sharp Minor, Op. 8, No. 12 - Patetico
04. Feuillet d'album in E-Flat Major, Op. 45, No. 1 - Andante piacevole
05. Etude in F-Sharp Minor, Op. 8, No. 2 - A capriccio, con forza
06. Etude in B-Flat Minor, Op. 8, No. 11 - Andante cantabile
07. Etude in D-Flat Major, Op. 8, No. 10 - Allegro
08. Etude in A-Flat Major, Op. 8, No. 8 - Lento - Tempo rubato
09. Etude in F-Sharp Major, Op. 42, No. 3 - Prestissimo
10. Etude in F-Sharp Major, Op. 42, No. 4 - Andante
11. Etude in C-Sharp Minor, Op. 42, No. 5 - Affannato
12. Poeme, Op. 69, No. 1 - Allegretto
13. Poeme, Op. 69, No. 2 - Allegretto - Piu vivo
14. Vers la flamme - Poeme Op. 72 - Allegro moderato
15. Feuillet d'album, Op. 58 - Con delicatezza
16. Etude, Op. 65, No. 3 - Molto vivace - Imperieux - Pestissimo
CD3:
01. Piano Sonata No. 9, Op. 68 'Black Mass' - Schwarze Messe
02. Poeme in F-Sharp Major, Op. 32, No. 1 - Andante cantabile
03. Etude in C-Sharp Minor, Op. 2, No. 1 - Andante
04. Piano Sonata, Op. 70, No. 10 - Moderato - Allegro
05. Piano Sonata No. 5, Op. 53 - Allegro
06. Etude in D-Sharp Minor, Op. 8, No. 12 - Patetico
07. Etude in B-Flat Minor, Op. 8, No. 11 - Andante cantabile
08. Etude in C-Sharp Minor, Op. 42, No. 5 - Affannato
09. Piano Sonata No. 9, Op. 68 'Black Mass' - Schwarze Messe
The strength of Alexander Scriabin in the period of his most active keyboard productivity was unashamed Byronic romanticism. It is one of those peculiar ironies that his strength in an earlier era may have turned out in retrospect to be his weakness in the age in which we live. Today, in a more material age, unfortunately the tendency is to regard romanticism in any form with indulgent tolerance. But the keyboard romanticism which was the hallmark of Scriabin's genius reveals remarkable durability. His lyricism and poetry derive from and were inspired by the noble tradition established much earlier by Chopin and Liszt, but Scriabin's own characteristics were and remain a masterful sense of form, logic of musical thinking in the grand manner, individual coloristic use of the keyboard, and his own harmonic inventiveness. Scriabin cannot be dismissed simply as a key figure of an outmoded musical era. The romantic age of keyboard composers culminated shortly after the middle of the nineteenth century, but Scriabin perpetuated it many years afterwards, and in the concert halls of the world its impact is still felt by millions of music lovers. My own active interest in the keyboard music of Scriabin dates back to my earliest student years. At that time great masters of the keyboard, among them Rachmaninoff and Hofmann, were performing the piano literature of Scriabin in concerts and recitals. After Scriabin s death in 1915, Rachmaninoff devoted himself to a series of all-Scriabin recitals in Russia in tribute to the composer`s memory. My esteemed colleague and friend Arthur Rubinstein gave first performances of some of Scriabin s major works in key cities of Europe. There is no doubt that there has been an interlude in public performances of his music. But I believe the time has come for a re-hearing of Scriabin s music which has so vastly enriched our piano literature.
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