Vox Luminis, Lionel Meunier, LAchéron Scorpio Collectief - Kerll Fux: Requiems (2016) Hi-Res
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Vox Luminis, Lionel Meunier, LAchéron Scorpio Collectief - Kerll Fux: Requiems (2016) Hi-Res

Artist: Vox Luminis, Lionel Meunier, L'Achéron, Scorpio Collectief
Title: Kerll & Fux: Requiems
Year Of Release: 2016
Label: Ricercar
Genre: Classical
Quality: flac lossless / flac 24 bits - 88.2 Khz
Total Time: 01:15:16
Total Size: 358 mb / 1.20 gb
WebSite:

Tracklist
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01. Missa pro defunctis: Introitus - Vox Luminis, L'Achéron
02. Missa pro defunctis: Kyrie - Vox Luminis, L'Achéron
03. Missa pro defunctis: Sequenza - Vox Luminis, L'Achéron
04. Missa pro defunctis: Offertorium - Vox Luminis, L'Achéron
05. Missa pro defunctis: Sanctus-Beneditus-Hosanna - Vox Luminis, L'Achéron
06. Missa pro defunctis: Agnus Dei - Vox Luminis, L'Achéron
07. Missa pro defunctis: Communio (Lux aeterna) - Vox Luminis, L'Achéron
08. Kaiserrequiem: Introitus (Requiem aeternam-Te decet hymnus-Requiem aeternam) - Vox Luminis, Scorpio Collectif
09. Kaiserrequiem: Kyrie - Vox Luminis, Scorpio Collectif
10. Kaiserrequiem: Sequenza - Vox Luminis, Scorpio Collectif
11. Kaiserrequiem: Offertorium (Domine Jesu Christe-Sed signifer-Quam olim Abrahae) - Vox Luminis, Scorpio Collectif
12. Kaiserrequiem: Sanctus-Beneditus-Hosanna - Vox Luminis, Scorpio Collectif
13. Kaiserrequiem: Agnus Dei - Vox Luminis, Scorpio Collectif
14. Kaiserrequiem: Communio (Lux aeterna) - Vox Luminis, Scorpio Collectif

This recording presents two Austrian requiems of totally different character. Johann Joseph Fux wrote his Requiem in 1720 for the funeral of Eleonora von Neuburg, widow of the Holy Roman Emperor Leopold II. Composed by a musician reputed for his theoretical skill, it impresses with the quality of the polyphonic writing combined with a very rich instrumental fabric comprising cornetts, trombones and bassoon in addition to violins, instruments also benefiting from concertante interventions. This requiem was played on numerous occasions for official ceremonies, including again for the funeral of Karl VI in 1740. On the other hand, Johann Caspar Kerll’s version is presented in a much more intimist way. As he himself stated in the preface to the edition, this requiem was written «for my soul’s peace». It is scored for an ensemble of five voices backed up by a quartet of viols. In a more archaic style, its intense emotion is doubtless influenced by the music of his Roman master, Giacomo Carissimi.

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